Chimta and dholki

The fretless lute of Bhai Mardana, the first instrument of Sikh kirtan.

The bowed fiddle that sounds most like the human voice, partner of the dhadi singer.

The peacock-headed bowed instrument associated with Guru Hargobind.

The one-stringed plucked instrument of Punjabi folk music, made famous by Yamla Jatt.

The paired flutes played at once, one droning and one singing, by the herdsmen of the bar.

The big double-headed drum, the heartbeat of bhangra and the harvest.

A bowed instrument with a sitar's long fretted neck and a sarangi's skin-covered belly, sweet enough to be called 'heart-stealer'.

The hand-pumped reed organ that came with missionaries in the 19th century and became the voice of kirtan, qawwali and the Punjabi song.

The pair of hand drums that keeps time for kirtan, qawwali and classical song, and the Punjab gharana of Lahore that made a style of its own.

The small hourglass drum of the dhadis, held in one hand and tightened with the fingers to make it sing.

The folk fiddle of the villages, with an open belly half covered in skin, played to accompany ballads and qisse.

The village water pot turned into a drum, played with the fingers and a ring at weddings and in folk ensembles.

A wooden squirrel on a stick that jumps and clatters when a string is pulled: the joker of the bhangra and Malwai giddha.

A small drum with a string fixed to its skin, plucked and pulled to make a rubbery, twanging beat.

The 'snake': a lattice of wooden slats that stretches out and snaps shut with a clap.

The snake charmer's pipe: two reed pipes set in a dried gourd that holds the player's breath, so the sound never stops.

The bamboo flute of the herdsmen of the bar, the flute Ranjha played to Heer's buffaloes by the Chenab.

The great kettledrum of kings and of the Khalsa, beaten at the Akal Takht and before Sikh processions.